After a pandemic pause, the decision to stage the event at the close of New York Fashion Week may have backfired, but the real challenges facing the Met Gala go deeper than a date change.

Fashion’s most exclusive party returned with a smaller and younger guest list, an anything-goes interpretation of the American fashion theme and an official meme correspondent.

As sponsorship opportunities dry up and red carpets are on hold for the foreseeable future, moving live events online requires more than a direct translation.

If nature is inexorable, a volatile pathogen like coronavirus is its consummate ambassador and the fashion industry must change or die, writes Tim Blanks.

This week, everyone will be talking about Black Friday and Cyber Monday, PVH Corp.'s financial results and hunt for another brand to buy, and a new exhibition of vintage fashion at The Metropolitan Museum of Art. Get your BoF Professional Cheat Sheet here.

The Metropolitan Museum of Art’s large-scale, Gucci-backed show on Camp may be pushing the inherently subcultural sensibility closer to extinction, argues Eugene Rabkin.

The exhibit has amassed over 1.6 million visitors over a five month period.

Best known for his dramatic hair sculptures for Comme des Garçons, Julien d'Ys was the first to purposefully make hair look dirty, using potions of grease, vodka, clay or powder.