The industry pays tribute to the much-loved designer, whose death was announced on Sunday.

The heavyweight international Vogue editors who once filled the front rows at Paris Fashion Week were gone this season, a stark sign of the restructuring that has consolidated power in the hands of global editor Anna Wintour and her regional deputies.

The executive has been named Condé Nast Britain’s chief business officer for style after helping to achieve ‘unprecedented revenue growth’ at the fashion title.

Centralising control in New York worked wonders under Vogue’s longest-serving editor-in-chief Edna Woolman Chase, but times have changed, argues Nina-Sophia Miralles, the author of ‘Glossy: The Inside Story of Vogue.’

In a global world where local tastes still matter, the publisher of Vogue should be careful not to dictate too much of its content strategy from New York and London.

As the publisher focuses on returning to profitability, a new unified content strategy under Anna Wintour, more powerful at the publisher than ever, aims to make its strategy more efficient and intertwined.

This strange season’s series of 'shows' made it clearer than ever: the value of New York Fashion Week is up for debate. While still important for some designers, others are opting out and not looking back.

Covid-19 has exacerbated pre-existing weaknesses for America’s big luxury players, while US President Donald Trump’s gross mismanagement of the pandemic is only deepening the damage.